Emily-Rose Matthams

While this bold, chamfered typeface may look like a sports font, it actually came from the opening credits for the 1955 Western film “The Man from Bitter Ridge”.

Game Rules JNL is available in both regular and oblique versions.

When I released the original Organic in 2009, I was satisfied with it. It was what was possible from me and the technology at the time. The Organic Pro of 2021 takes those original desires of delivering a highly legible and friendly sans serif, and doubles down on those notions, while exploring what further infusing warmth in a highly structured sans serif can really do for a client.

Free of distracting and potentially dating visual traits and cues that could be seen as endemic of a specific time period or ‘type trend’, Organic Pro is its own person—take it or leave it. Inviting warmth, assured reliability, and a head nod of confidence is what you walk away with—a stark contrast to the cold, impersonal geometrics and grotesques proliferating the design annuals currently. Releasing this typeface now, completely redrawing the masters, as well as expanding the weight and language options, should be seen as a laid back challenge that we need to do less with type, let it communicate confidently and warmly when it needs to, and stop forcing one-size-fits-all type trends on everyone.

Anatolian typeface was designed with inspiration from the traditional Anatolian kilim motifs and symbols that characterize Turkish culture. Motifs and design elements that has been used for centuries on carpets now found place in a typeface as serifs. It was exciting to see how these old design elements would turn into a modern font that would be applicable for modern designs.

The result was the Anatolian typeface; a purely Anatolian display family that is surprisingly readable as a text font also. Carefully designed proportions and serifs allowed this legibility while standing out as a unique typeface. This new type system would work great in branding, advertising, packaging and many other design areas whether traditional or modern.

Drawn with a loose hand and keeping the eye off what’s considered right (regarding typefaces) Bonkey saw the light of day on a napkin during dinner, and was scanned, cleaned up (just a bit)
It’s an unpredictable font that just wants to have some fun!

The Art Deco hand lettered opening credits for the 1936 French drama “La Belle Équipe” [English title: “They Were Five”] provided the inspiration for Foreign Film JNL, which is available in both regular and oblique versions.

According to Wikipedia, the film “…tells the story of five unemployed workers who win the jackpot in the national lottery but their solidarity then proves fragile.”

Greycliff Hebrew CF adapts Greycliff’s soft, geometric design to the Hebrew script. Both Latin and Hebrew glyphs are included, allowing for visually cohesive multiple-script applications. Greycliff’s original nine weights are covered, alongside diacritics, cantillation marks, and wide Hebrew-script language support.

Greycliff Hebrew CF works as a complete, self-contained type system, with both Hebrew and Latin scripts included and designed to compliment one another.

All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Drawn with a loose hand and keeping the eye off what’s considered right (regarding typefaces) Bonkey saw the light of day on a napkin during dinner, and was scanned, cleaned up (just a bit)
It’s an unpredictable font that just wants to have some fun!

The Art Deco hand lettered opening credits for the 1936 French drama “La Belle Équipe” [English title: “They Were Five”] provided the inspiration for Foreign Film JNL, which is available in both regular and oblique versions.

According to Wikipedia, the film “…tells the story of five unemployed workers who win the jackpot in the national lottery but their solidarity then proves fragile.”

Greycliff Hebrew CF adapts Greycliff’s soft, geometric design to the Hebrew script. Both Latin and Hebrew glyphs are included, allowing for visually cohesive multiple-script applications. Greycliff’s original nine weights are covered, alongside diacritics, cantillation marks, and wide Hebrew-script language support.

Greycliff Hebrew CF works as a complete, self-contained type system, with both Hebrew and Latin scripts included and designed to compliment one another.

All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Drawn with a loose hand and keeping the eye off what’s considered right (regarding typefaces) Bonkey saw the light of day on a napkin during dinner, and was scanned, cleaned up (just a bit)
It’s an unpredictable font that just wants to have some fun!

The Art Deco hand lettered opening credits for the 1936 French drama “La Belle Équipe” [English title: “They Were Five”] provided the inspiration for Foreign Film JNL, which is available in both regular and oblique versions.

According to Wikipedia, the film “…tells the story of five unemployed workers who win the jackpot in the national lottery but their solidarity then proves fragile.”

Greycliff Hebrew CF adapts Greycliff’s soft, geometric design to the Hebrew script. Both Latin and Hebrew glyphs are included, allowing for visually cohesive multiple-script applications. Greycliff’s original nine weights are covered, alongside diacritics, cantillation marks, and wide Hebrew-script language support.

Greycliff Hebrew CF works as a complete, self-contained type system, with both Hebrew and Latin scripts included and designed to compliment one another.

All typefaces from Connary Fagen include free updates, including new features, and free technical support.

The Art Deco hand lettered opening credits for the 1936 French drama “La Belle Équipe” [English title: “They Were Five”] provided the inspiration for Foreign Film JNL, which is available in both regular and oblique versions.

According to Wikipedia, the film “…tells the story of five unemployed workers who win the jackpot in the national lottery but their solidarity then proves fragile.”

Greycliff Hebrew CF adapts Greycliff’s soft, geometric design to the Hebrew script. Both Latin and Hebrew glyphs are included, allowing for visually cohesive multiple-script applications. Greycliff’s original nine weights are covered, alongside diacritics, cantillation marks, and wide Hebrew-script language support.

Greycliff Hebrew CF works as a complete, self-contained type system, with both Hebrew and Latin scripts included and designed to compliment one another.

All typefaces from Connary Fagen include free updates, including new features, and free technical support.

The typeface PIXEL pattern is designed from 2021 for the font foundry Typo Graphic Design by Manuel Viergutz.

The display typeface is inspired in the past and present.

8 font-styles (Square, Circle, Square Flicker, Circle Cloud, Square Bold, Square Fat, Star, Star Spike) with 830 glyphs (Adobe Latin 3) incl. 100+ decorative extras like icons, arrows, German Capital Sharp S, dingbats, emojis, symbols, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for or #SMILE for as OpenType-Feature dlig) and stylistic alternates (8 stylistic sets).

For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size.

Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE!

■ Font Name: PIXEL pattern
■ Font Styles: 8 font-styles (Square, Circle, Square Flicker, Circle Cloud, Square Bold, Square Fat, Star, Star Spike) + DEMO (with reduced glyph-set)
■ Font Cate­gory: Dis­play for head­line size
■ Font For­mat: .ttf (for Print) + .woff (for Web)
■ Glyph Set: 830 glyphs (Latin 3 incl. decorative extras like icons)
■ Lan­guage Sup­port: 93 languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, Northern Sami, North Ndebele, Norwegian Bokmål, NorwegianNynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu
■ Design Date: 2021
■ Type Desi­gner: Manuel Viergutz

Pompano is an organic sans serif typeface which is purposely made for headline, display or logotype. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
- regular & stamp version
- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates & ligatures
- PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

What can I say? I like fonts with stars.

Space Time is a hand drawn font with a lot of variety. I started designing the regular version with the characters slightly touching but it wasn’t quite what I had in my head. I’d imagined tightly spaced letters with overlapping shadows and the only way to get that effect was to create a second version with stackable layers. That means this download includes regular, base, outline, shadow, and stars files. Plus, the base and outline can be used for stacking or work fine as standalone fonts.

This font is all caps but the lowercase letters feature alternative styles.

Dark Misery is a simple yet spooky display font. This original look will appeal to a wide range of crafty ideas, from letterheads and titles to stationery.

Is there such a thing as an easy answer, or is it just because you know the question?
Anyway, as a kindergarten teacher I like to make these quizzes with the kids. The object of the game is not to answer right, but to get a feeling of knowing a lot. I thought of these questions as being logical and really easy, but I also found out that it is a great way for the kids to remember and recall their knowledge!

“TreGiorni”, is a variant of the “DueGiorni” font with the possibility of combining between the two. This useful writing font is very expressive, fresh, agile and organic. It comes in two styles: Solid and outline (just a little shine) Each font contains 571 glyphs with many OpenType features: standard and discretionary ligatures, stylistic alternates, decorative characters, old-style figures, small caps, titles, case sensitives, and ornaments. Specially designed for creating eye-catching headlines, logos, packaging, greeting cards, advertisements and websites. It also has good readability for longer texts.

Dark Misery is a simple yet spooky display font. This original look will appeal to a wide range of crafty ideas, from letterheads and titles to stationery.