Emily-Rose Matthams

There are Rum doings in the harbor tonight, me hearties! Black-hearted buccaneers are gatherin’ in the tavern and there’s talk of gunpowder, treason and plot. Even if there are ladies in the room, we advise that you Pass the Port, put away your pieces of eight and weigh anchor until the Pirates have Caribbean and gone.

Don’t say it! Is this THE END of THE STORY SO FAR?! Is there REALLY an END to ANY story, or just a place where it STOPS? We started near the beginning of the end, and now we are near the end of the beginning, so far away and yet so close… but Ends are not bad things and many ends aren’t really an ending, especially when you are merely near the end of a never ending story. Are you anywhere near with us so far?

Cream is a big softy! This retro soft serif typeface comprises 12 fonts and can handle most typographic applications from branding to body copy with its range of weights and inherent legibility. Whatever you type will have a friendly message, but it really comes into its own when you start applying some of the additional alternates and ligatures that are built into Cream. You’ll be creating distinctive typographic compositions that are pleasing to the eye in no time at all! 

There are 12 fonts altogether, ranging from Light to Black weights in both roman and italic. It has an extensive character set that covers all Latin European languages.

Key features:

• 6 weights in Roman and Italic
• 75 Alternates
• 37 Ligatures
• Full European character set (Latin only)
• 730 glyphs per font.

This is Metroflex Pro, an urban, multi purpose standard type system, engineered like a
machine. The design was inspired by the Fritz Lang’s Metropolis, a silent film created in 1926. The basic idea was to design a standard type system that fits into the world of Lang’s Metropolis.

Metroflex Pro features original ideas and solutions that have roots in the present while inspired by past designs such as Univers, Futura, Steile Futura and DIN.

Metroflex Pro - a practical communication tool for contemporary design available in 3 widths: Uni, Narrow and Wide, and five weights: Light, Regular, Medium, Bold and Heavy with Obliques.

Midnight, Pacific Coast Highway. You’re driving home alone at night and your battery’s dying. Your headlights have dimmed and you can barely see the road or the signpost up ahead. But there’s an eerie green light glimmering in your rear view mirror and that strange warning uttered by the pump attendant at the Devil’s Elbow gas station has put the frighteners on you. Is that Satan’s face glowering at you through the mist, or something far worse? Brought to you by John “JG” Roastinhell, the only way to handle this font is with one foot on the gas pedal and one foot on the brake.

Antique Stencil Borders Two JNL is the follow-up collection to the July, 2018 release of Antique Stencil Borders JNL and features twenty-six more decorative stencil borders from various vintage sources.

VVDS Benigne Sans is geometric font family consisting of 8 weights ranging from Thin to Ultra Bold with matching italics. Balanced and gently Thin or fat and heavy Ultra Bold, good wide range of widths, which allow use this font not only as a Headers, also as sub-headers or block texts. Also, I love how it looks in infographics. VVDS Benigne Sans is latin-based multilingual and contains all mathematics symbols.

OpenTypeFeatures Ligatures, alternates, old style numerals and fractions.

Enjoy! VVDS

While the Adventures of Max Faraday continue in the pages of Wildstorm Comics’ DIVINE RIGHT, another chapter title font has begun on the web pages of the World’s Greatest Comic Book Fonts. Delicately crafted by Mister Fontastic himself, John JG Roshell claims this font was the product of Divine Inspiration. When told he’d been looking at the work of too many French Poster Artists, JG dismissed such allegations as Mucha do about nothing.

Face Front, True Believers, here comes another Spectacular Smash Hit from the Comicraft House of Ideas! A worthy companion to our Monster Mash and Doohickey Masterworks, Framistat is an All-New, Truly Titanic Typeface designed to dutifully display cover copy as demanded by Collector’s Item Classic comic book tradition.

Mantonico is a soft and friendly serif type family with low x-height. Its slightly wide proportions and prominent terminals create a peculiar texture suitable for long reading.

The style range encompasses 8 weights with corresponding italics. The italics themselves are designed for a specifically soft, almost fluid feel.

The typeface features rich language support including Cyrillic and a wide range of OpenType options such as small capitals, numerous sets of digits and over 300 swashed characters.

This is Metroflex Pro, an urban, multi purpose standard type system, engineered like a
machine. The design was inspired by the Fritz Lang’s Metropolis, a silent film created in 1926. The basic idea was to design a standard type system that fits into the world of Lang’s Metropolis.

Metroflex Pro features original ideas and solutions that have roots in the present while inspired by past designs such as Univers, Futura, Steile Futura and DIN.

Metroflex Pro - a practical communication tool for contemporary design available in 3 widths: Uni, Narrow and Wide, and five weights: Light, Regular, Medium, Bold and Heavy with Obliques.