Emily-Rose Matthams

Omnipop is a potent display pack with three styles. All the fonts have firm yet clean and velvety character.

Omnipop Brush is a forward leaning brush script with a somewhat heavy complexion. It has a large x-height and it makes nice smooth and even texts. Omnipop Brush is equipped with Standard Ligatures and Contextual Alternates that are automatically on as they should be kept. In addition it has Swash, Stylistic and Titling Alternates for extra show-off.

Omnipop Script is a monoline connected script simulating a smooth felt-tip pen. Script is equipped with Standard Ligatures and Contextual Alternates to keep the connections smooth. In addition Omnipop Script has Swash, Stylistic and Titling Alternates and even more extra characters can be found in the glyphs window.

Omnipop Sans is a sturdy rounded all caps sans with a sort of geometric vibe to it. Anything you type with Omnipop Sans will look cheery and approachable.

Omnipop fonts rock on their own but they also play great together in any order.

Polate Soft is an altered modified from the form of the original “Polate” typeface. Designed to be more friendly, the font family has rounded terminals that harmonizes with rounded corners. With all of these features, “Polate Soft” is a prominent, eye-catching and unique typeface. It comes with 6 weights with 5 Hight options in order to suit for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing, as well as packaging.

• 1x OpenType font.
• 1x WOFF font.
• This font contains 176 glyphs.
• Optimised for use as a pixel font at 34px and multiples of 34px.

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SB Incline is an ultracompressed pixelfont with alternatives for adjusting the midpoint.

Aldero™ strives to be as useful to any design environment as Alder trees are to the forest. Native to British Columbia, Canada, Alder is vital to the woods all year round. Wildlife and insects feed on Alder leaves and seeds. The tree also provides shelter for animals in winter while its shades keep streams from getting too hot in summer. The trunks and branches are excellent habitats for lichens and mosses. The nitrogen-rich leaves help fertilize the soil where they landed, which benefits other tree species nearby. Alder’s utilitarian nature inspires us to create Aldero™, a handy, versatile, go-to type family for all professional designers.

To achieve what we set out to do, we gave Aldero™ the two-in-one looks, doubled the sets of ligatures, and loaded it with plenty more of Opentype features. We put in long hours, months after months, until we are proud of the outcome. And we truly believe that you will enjoy working with this typeface as much as we do.

With five weights, ten styles, and 1,100+ glyphs per style, this versatile typeface comes with virtually two looks. The standard glyph set is perfect for formal, corporate design, while the stylistic alternate set elicits a fun, friendly, and casual feel. You can use each style separately or mix and match them to achieve your design aesthetic. Thanks to these options, a wide range of design possibilities are at your fingertips.

In addition to the two large sets of ligatures (for both the standard and the stylistic glyph sets), we also pack tons of Opentype features into Aldero™ to improve your user experience while working with this typeface. To activate the case-sensitive features, for example, highlight the phrase with the type tool, then hit the “All Caps” button; or select each mark, punctuations, or symbols with the type tool, then choose the case-sensitive option from the Opentype popup window. For more info on Aldero’s Opentype features, please check out the additional gallery photos above. Hope you enjoy working with Aldero™ as much as we do!

A set-aside work file featuring a bold sans serif typeface that may or may not have had a vintage source history was given a new treatment.

Initially, the solid design was converted to a stencil format and an experiment was undertaken to see what the alphabet would look like with a dual line treatment. 

Surprisingly, it turned out quite well and the end result is Dual Line Stencil JNL; available in both regular and oblique versions.

Epica is a contemporary interpretation of the Venetian Renaissance types. A humanist type family with a contemporary design. This family encompasses different typographic scenarios with emphasis in style and functional equilibrium. Its letterforms show the visual richness of Epica that includes some calligraphic reminiscences perfectly legible in small and display sizes. Its strong personality makes it distinguish, because it perfectly combines the elegance of antique typographies and the forcefulness of contemporary ones.

This family has been designed in two different moments. Epica Serif, which have a more classical design, was finished 5 years ago in its first version. The first sketches were drew 8 years ago during the Master of Type Design at the University of Buenos Aires. Through the years was re design in several times to the point of reaching its current version. On the other hand, Epica Sans was completed in 2020 and is the counterpart of Epica Serif. A complementary system designed to enrich the serif version and give new options for hierarchy and composition. This is a versatile type family perfectly fit for books, editorial, and usage in print and on screens. It possesses great legibility in body texts, which makes it ideal for extended reading and supports a variety of languages.

Bezar is a wild brush script font drawn and created by Mans Greback in 2020.
A handwriting of extreme speed, this typeface will give your graphic project both the action and the character to stand out.

Use it for whimsical headlines, a product logotype or anywhere where a bright-spirited, flowing script could lift the layout.
Its multiple alternates and ligatures makes for a customizable, non-static typeface.

Use [ ] { } _ anywhere in a word to create a swash.
Example: Ham}burg

The font has extensive lingual support, covering all European Latin scripts.
It contains all characters you’ll ever need, including all punctuation and numbers.

A unique and stylized type design with Art Deco influence was found within the French publication “Modèles de lettres modernes par Georges Léculier” ( “Models of Modern Letters by Léculier”).

This lettering is now digitally available as Deco Wide JNL in both regular and oblique versions.

An eccentric chamfered sans serif wood type design with a right side engraving line from the 1800s was found within the pages of the Thorowgood foundry of London, England.

This font is now available as Chamfer Engraved JNL in regular and oblique versions.

Doorkick is my grungy handmade font with rough lines and a squarish look. Each letter has 5 different versions, which automatically cycles as you type - leaving your text with a super lively and natural/organic look.
I’d say that Doorkick is best for short words or shoutouts, but try it out it massive text too! I dare you! :)

Blastered was originally inspired by an old horror movie poster - but I find it more laid back and less horrifying…but feel free to use Blastered for your next horror project and use the more than 300 interlocking ligatures! Wow!