Emily-Rose Matthams

Kondes is our “101 Dalmatians” – it’s 101th release in our catalog! And it is the 1st one that belongs to variable typefaces. Kondes (which is made up word as mixture of “condensed” and “kondezovan” on Serbian) is simple, compact, straight-in-your-face sans serif family with 9 weights and 9 Italics. It was designed with purpose to serve and to be use in any project, from editorial to website. For example, Black weight could be used effectively as poster type, in big sizes while Regular fits perfectly as main webfont. Stem joining is done with generous ink trap that divides and opens letter contours, so letter breaths in smaller sizes. Contains extended Latin character set. Enjoy!

Within the pages of the Pettingill & Co. (Boston) 1901-02 specimen book is Camelot Old Style – a thin stroke spurred serif typeface with traces of Art Nouveau influence.

This had been redrawn digitally as Pettiford JNL, and is available in both regular and oblique versions.

• 2x OpenType fonts: Regular and Italic.
• 2x WOFF fonts: Regular and Italic.
• Stylistic alternatives for P and Y.

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SB Network is an block, retrofuture style display font.

Vulgary is a script family that includes 4 fonts. They match each other but can be used separately as well. It supports all euro languages based on Latin alphabet. To use swashes you have to open glyphs panel in menu Window. The font is compatible on both Windows and Mac. You can use it in all popular apps like Adobe, Corel Draw, Microsoft, Final Cut etc.

Page Printer JNL was inspired by “Skeleton”, from the William H. Page wood type foundry circa 1848.  Its name is a play on both Page’s surname as well as contemporary desktop printers. 

Page Printer JNL is available in both regular and oblique versions.

A precursor to Art Deco headline/display sans serif typefaces with thick and thin strokes is the Matthews Series (circa 1902).  It was manufactured and sold through the Inland Type Foundry of St. Louis, MO.

Digitally redrawn as Merchant Trade JNL, it’s now available in both regular and oblique versions.

Introducing, Hugiller - A high contrast stylish Serif. What makes this font even more unique is the ligatures which gives the modern yet nostalgic feels at the same time, sophisticated and timeless.. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates & ligatures
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Manufacturer JNL is a reinterpretation of the classic type face Venus Extra Bold Extended, and is available in both regular and oblique versions.

I started this font on a Monday and I finished it the Monday after, so I guess the name is right!
Another Monday started off as a bit of doodling (with a Sharpie pen) on a piece of paper. Before I knew it, I had a complete glyph set and it looked nice.

Another Monday is a bit messy, uneven and maybe even a little weird, but it will look good on postcards, packaging and labels.

File Clerk JNL was based on Cushing, a typeface found within the pages of the 1901-02 Pettingill & Co. (Boston) specimen book, and is available in both regular and oblique versions.

Introducing, Mildistance Script - an old and classic style script font. The look of the font will give you nostalgic feel, very suitable for old school theme design and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates and ligatures
- swashes
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.