Emily-Rose Matthams

SK Seren is a clean, double weight and semi-serif font family. This font family, which you can use in long texts or headlines, logos and posters you will design without hesitation, manages to stand out even in the most crowded environments.

As you can easily use in print and web design, this is the only font you need in every medium. This family consists of 10 different fonts and 5890 glyphs. In this way, it contains all the typographic materials you will need in your design and offers full support to the Latin alphabet.

This font family is a new version of the first font I designed while studying college in 2018. This version includes many new glyphs that were not available in the first version, and all bugs found in the first version were fixed and kerning settings were reconfigured.

We are pleased to announce the launch of Vástago Grotesk, a nine-weight sans serif font family, inspired by the traditional grotesque designs of the 20th century. The particular ink traps, result of the G drawing, create it a visual universe that is replicated throughout the system, generating personality and a functional distinctive in multiple contexts.

Vástago Grotesk was born out of an interest in exploring the possibilities of Sans Serif font design, a process that is complemented by the advice of excellent typographers throughout the world thanks to the Type Crit Crew initiative.

The design was carefully constructed, achieving functionality in different sizes, ranging from a subtle Thin to a Heavy weight that projects grandeur and character. Vástago Grotesk is a challenge come true. We hope you enjoy it.

Introducing, Black Rocket- a hand drawn dry brush script which is purposely made for headline, display or logotype, and signature. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates & ligatures
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Dan Hardie, a Miami-based graphic artist and creative consultant at Mutiny, Inc. shared an image he’d spotted online of some interesting signage formerly on the front of the Miami Medical Building.

Comprised of hand-cut metal characters (with a thoroughly avant-garde “Art Deco meets Modernist” approach), this instantly became a font design idea unusual and quirky enough to develop as a digital typeface.

The end result is Office Visit JNL, which is available in both regular and oblique versions.

Pretty Magnolia is a minimal and thin sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

The free form hand lettered titles for the 1961 film “The Children’s Hour” inspired the digital typeface Late Hours JNL, which is available in both regular and oblique versions.

Peachi is a serif typeface loosely based on Morris Fuller Benton’s Souvenir forms and some other serif fonts designed in the early 1900s. It has a soft look - round corners, slightly curved legs of capital K, R, V and W; and lowercase k, v, w and y. Rather heavy ball terminals and a very large x-heigh make Peachi a perfect choice for designing titles, book covers; for branding, quotes design - basically any design that needs to make an impact and to be remembered.
Peachi is released in 6 weights from Thin to Black and has stylistic alternates that make it even more versatile. While the default style follows Souvenir’s trend, the alternative style looks more modern. It’s totally up to you which style to choose for your design.
To access all alternates and ligatures you’ll need an OpenType aware application such as Adobe Suite or MSWord.

Catskin is a fairytale by The Brothers Grimm. The story is about a king who has a beautiful wife and daughter - you know, the basic fairytale stuff. Long story short: they all live happily ever after (except for the wife, who dies…).

Catskin is also a nice, handmade font. I like making fairytale fonts, especially since I have three kids, who love books. And when I see one of my fonts on the cover, I can tell them: ‘daddy made this’. #prouddaddy
;-)

Kopik is a modern hand-drawn script inspired by the 1960’s architectural handwriting style practised by draftsmen. Originated using a Copic 1.0 Multiliner pen, then traced digitally using a stylus and tablet to help reduce imperfections. The result is a simple, readable, monolinear typeface with a marker pen quality suitable for a wide range of written applications.

Details include 440 characters, three weights with matching italics, alternative a, g, and y four numerals variations. Opentype features inferiors, superiors, fractions and language support covering Western, South and Central Europe.

Neon Love was designed originally for a circle coaster design with a quote by the Beatles’ “All you need is Love, Love is all you need”. The inspiration of the lettering was a neon sign style where a cursive script is kind of bended from those glass wires. The idea was to get the overall look and feel of neon signs into a font, as well as creating a good raw material to use for some further photoshop effects to enhance the visual presentation. Neon Love has many OpenType features that allow for choices that can make the lettering unique.

Neon Love has two versions of the font a Smooth one which is connected and the Cutout version which can be used to create neons and for this it is in parts.

Design by Roland Hüse and Schriftlabor team.

Otterco is a geometric sans serif font family with varied round and narrow characters. Blending a touch of retro and modern qualities, this typeface is clean and neutral but not boring. It’s professional yet unique and fun. The contrast in character widths creates a distinct visual rhythm and the vertical cut terminals keep it consistent, strong, and sharp looking. Constructed with a large x-height and low stroke contrast, it can fit a variety of applications.

Coming in both Normal and Display families, the fonts can be used for even more settings and tone of voice. The Normal design has a little less width contrast between characters and looser spacing—good for both small and large text. While the Display design has more character width contrast and tighter spacing—good for larger, attention-getting text.

With 32 total fonts in thin through extra bold weights (plus italics), Otterco is well suited as both a versatile text and display font for branding, advertising, packaging, headlines, magazines, websites, logo designs, and more.

Otterco’s features include:

• Normal and Display families (32 total fonts)
• Stylistic alternates (K, M, R, a, k, &)
• Case-sensitive punctuation for All Caps
• Arrow icons
• Fractions, numerators, denominators
• Superscript, subscript

Having almost 600 glyphs, this font has extensive multilingual Latin language support (100+ languages) for Western, Central, and South Eastern European.