Emily-Rose Matthams

Poster Cut Neue is a hand-drawn, rough display font family. Having some retro grotesque sans serif inspiration, the characters give an informal and active look and feel. The imperfections keep it casual but it is still legible. This font is ideal for organic and natural applications where a more human touch is required with branding, packaging, headlines, posters, advertising, illustrations, titles, and more.

Simply switch between upper and lowercase letters for a uniquely drawn glyph, adding variety and helping avoid repetition. Underlined vowel stylistic alternates (PUA-encoded) also add visual interest to your typography.

Poster Cut Neue’s features include:

• Regular and Italic (Oblique) fonts
• Unique upper and lowercase letters
• Stylistic alternates
• Arrow icons

Having almost 500 glyphs, this font has extensive multilingual Latin language support (100+ languages) for Western, Central, and South Eastern European.

Idealist Serif - a stylish OpenType rich serif with letters that seem to dance and twist harmoniously together - to form unique & elegant typography designs.

A large selection of interwoven Opentype ligatures and alternates, means ample selection and variety in your finished look.

Language support is included for the following : Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, German (Switzerland), Irish, Italian, Low German, Luo, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Portuguese, Spanish, Swedish, Swiss German

Serif typefaces have undergone a constant change over time; this has allowed the emergence of modern shapes that bring expressiveness to each letter, making them fun to use and design.

Milanesa Serif is a typeface family with seven weights that changes the contrast angle in its black version, achieving a particular transition in the different interpolations. Beyond maintaining the traditional canon in a serif, Milanesa plays with a modern concept to impose its versatility in different graphic applications.

Milanesa Serif undergoes a metamorphosis in its weights, intensifying its shapes and varying its counterforms without losing the sense of the typeface family, perfect for versatile uses such as web design, editorial or packaging, among many others.

Introducing,
Edellyn Script, a modern script typeface. This collection of scripts is perfect for personal branding.  As you can see, this typeface has beutiful and modern look which is perfectly made to be applied especially in headline, logotype, apparel, invitation, branding, packaging, wedding card, advertising etc.

Features :

uppercase & lowercase
numbers and punctuation
multilingual
alternates
PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

if you have any questions don’t hesitate to send our email at letterhend@gmail.com. Thank you for purchase this font and Happy Creating !!!

Oildale is a single weight, connecting script that explores the idea of using crossed strokes as the main body of the typeface. Designed as a display font, it’s bold form and unique appearance lend it a distinctive charm that can be used in branding, headlines or other titling. Featuring an extended Latin support covering a wide range of langages, it also includes a range of Opentype options, from a choice of numerals, ligatures or decorative, swash letters.

An image found online of the first [1923] “Oreo Sandwich” package provided a type inspiration from the pen-lettered block sans with rounded corners used for the product’s name.  Prior to 1923, the cookies were sold in boxes or tins. 

The result is Packaged Cookies JNL, which is available in both regular and oblique versions.

While this bold, chamfered typeface may look like a sports font, it actually came from the opening credits for the 1955 Western film “The Man from Bitter Ridge”.

Game Rules JNL is available in both regular and oblique versions.

When I released the original Organic in 2009, I was satisfied with it. It was what was possible from me and the technology at the time. The Organic Pro of 2021 takes those original desires of delivering a highly legible and friendly sans serif, and doubles down on those notions, while exploring what further infusing warmth in a highly structured sans serif can really do for a client.

Free of distracting and potentially dating visual traits and cues that could be seen as endemic of a specific time period or ‘type trend’, Organic Pro is its own person—take it or leave it. Inviting warmth, assured reliability, and a head nod of confidence is what you walk away with—a stark contrast to the cold, impersonal geometrics and grotesques proliferating the design annuals currently. Releasing this typeface now, completely redrawing the masters, as well as expanding the weight and language options, should be seen as a laid back challenge that we need to do less with type, let it communicate confidently and warmly when it needs to, and stop forcing one-size-fits-all type trends on everyone.

Anatolian typeface was designed with inspiration from the traditional Anatolian kilim motifs and symbols that characterize Turkish culture. Motifs and design elements that has been used for centuries on carpets now found place in a typeface as serifs. It was exciting to see how these old design elements would turn into a modern font that would be applicable for modern designs.

The result was the Anatolian typeface; a purely Anatolian display family that is surprisingly readable as a text font also. Carefully designed proportions and serifs allowed this legibility while standing out as a unique typeface. This new type system would work great in branding, advertising, packaging and many other design areas whether traditional or modern.

Drawn with a loose hand and keeping the eye off what’s considered right (regarding typefaces) Bonkey saw the light of day on a napkin during dinner, and was scanned, cleaned up (just a bit)
It’s an unpredictable font that just wants to have some fun!