Emily-Rose Matthams

Is there such a thing as an easy answer, or is it just because you know the question?
Anyway, as a kindergarten teacher I like to make these quizzes with the kids. The object of the game is not to answer right, but to get a feeling of knowing a lot. I thought of these questions as being logical and really easy, but I also found out that it is a great way for the kids to remember and recall their knowledge!

“TreGiorni”, is a variant of the “DueGiorni” font with the possibility of combining between the two. This useful writing font is very expressive, fresh, agile and organic. It comes in two styles: Solid and outline (just a little shine) Each font contains 571 glyphs with many OpenType features: standard and discretionary ligatures, stylistic alternates, decorative characters, old-style figures, small caps, titles, case sensitives, and ornaments. Specially designed for creating eye-catching headlines, logos, packaging, greeting cards, advertisements and websites. It also has good readability for longer texts.

Dark Misery is a simple yet spooky display font. This original look will appeal to a wide range of crafty ideas, from letterheads and titles to stationery.

Is there such a thing as an easy answer, or is it just because you know the question?
Anyway, as a kindergarten teacher I like to make these quizzes with the kids. The object of the game is not to answer right, but to get a feeling of knowing a lot. I thought of these questions as being logical and really easy, but I also found out that it is a great way for the kids to remember and recall their knowledge!

“TreGiorni”, is a variant of the “DueGiorni” font with the possibility of combining between the two. This useful writing font is very expressive, fresh, agile and organic. It comes in two styles: Solid and outline (just a little shine) Each font contains 571 glyphs with many OpenType features: standard and discretionary ligatures, stylistic alternates, decorative characters, old-style figures, small caps, titles, case sensitives, and ornaments. Specially designed for creating eye-catching headlines, logos, packaging, greeting cards, advertisements and websites. It also has good readability for longer texts.

A hefty, powerful geometric sans with weight and presence. The unusual counters are defined by lines which cut into the letter shapes.

Cynosure is a humanist sans with a subtle thick/thin stress. This gives it a clean, sharp elegance and precision that can be missing in some more familiar monoline sans faces.

The wide range of weights and the matching reweighed italics make it a versatile solution where a consistent appearance across a broad range of applications is required.

Its clear and inarguable design make it suitable for a wide variety of uses, from corporate to entertainment, text to headline, signage, logotypes, magazines and reports. The italics retain the design of the upright across all characters, again ensuring consistency. Includes tabular, lining and old-style numerals.

Disclosure is suggestive of low-grade digital output, screen displays, fax machines, or high-speed data transfer. It is missing vertical sections, perhaps due to a faulty print head or signal degradation. It is intentionally monospaced — each letter has the same width, like a typewriter — and unkerned. Suitable for uses where an unfussy urgency and drama is required. Developed from the 112 Hours numbers-only font, Throughput.

A hefty, powerful geometric sans with weight and presence. The unusual counters are defined by lines which cut into the letter shapes.

Cynosure is a humanist sans with a subtle thick/thin stress. This gives it a clean, sharp elegance and precision that can be missing in some more familiar monoline sans faces.

The wide range of weights and the matching reweighed italics make it a versatile solution where a consistent appearance across a broad range of applications is required.

Its clear and inarguable design make it suitable for a wide variety of uses, from corporate to entertainment, text to headline, signage, logotypes, magazines and reports. The italics retain the design of the upright across all characters, again ensuring consistency. Includes tabular, lining and old-style numerals.

Disclosure is suggestive of low-grade digital output, screen displays, fax machines, or high-speed data transfer. It is missing vertical sections, perhaps due to a faulty print head or signal degradation. It is intentionally monospaced — each letter has the same width, like a typewriter — and unkerned. Suitable for uses where an unfussy urgency and drama is required. Developed from the 112 Hours numbers-only font, Throughput.